Flash: The International Short-Short Story Press

The Press, founded in 2015, publishes chapbooks and books of quality flash fiction. The managing editors are Peter Blair and Ashley Chantler.

Flash: The International Short-Short Story Press is pleased to announce the publication of Funny Bone: Flashing for Comic Relief, edited by Peter Blair and Ashley Chantler (2017).

Funny Bone - Flashing for Comic Relief

  • 60 authors
  • 60 stories
  • No more than 360 words
  • Profits to Comic Relief

Wry, off-beat, quirky, naughty, witty, absurd, dark, droll, deadpan, dry.
Comedies of errors, manners, embarrassments.
Repartee, satire, slapstick, farce.
And, oh yes, clowns.

Funny Bone is an exciting new anthology of sixty flashes by sixty of the world's leading flashers.

Profits go to Comic Relief, a major charity based in the UK, with a vision of a just world, free from poverty.

The sixty authors are: Steve Almond, Alan Beard, Paul Blaney, Randall Brown, Mark Budman, Jonathan Cardew, Peter Cherches, Kim Chinquee, Sarah-Clare Conlon, Steve Cushman, Jon Davis, Lydia Davis, Wayne Dean-Richards, Roddy Doyle, Grant Faulkner, Avital Gad-Cykman, David Gaffney, Vanessa Gebbie, Ihab Hassan, Tom Hazuka, Kyle Hemmings, Tania Hershman, David Higgins, Allan Kolski Horwitz, Holly Howitt, Paul Kavanagh, Calum Kerr, Steve Kissing, Tara Laskowski, Michael Loveday, Sean Lovelace, Bernard MacLaverty, Paul McDonald, Kobus Moolman, Sally-Ann Murray, Nuala O’Connor, Pamela Painter, Nick Parker, Nik Perring, Jonathan Pinnock, Meg Pokrass, Pedro Ponce, Bruce Holland Rogers, Ethel Rohan, Katey Schultz, Robert Scotellaro, Ian Seed, Gemma Seltzer, Ana María Shua, Christine Simon, David Steward, Nancy Stohlman, David Swann, Matt Thorne, Kevin Tosca, Meg Tuite, Emily Vanderploeg, Gee Williams, Jeremy Worman, Shellie Zacharia.

For a contents list, click here.       

To order a copy, click here.

A 25% discount is available to members of the International Flash Fiction Association.

 

Meg Tuite, Lined Up Like Scars: Flash Fictions (2015)

‘The inner ear is called the labyrinth because of its chronic orbit, like childhood. I listen to myself drown in the punctuality of balanced meals and walking on tiptoes. Madness is as close as Mom’s floral upholstery, close as the strain of devouring myself piece by piece'.

Sassy and incisive, tender yet scalpel-sharp, the ten short tales in Lined Up Like Scars cut to the quick of modern life, dissecting the dysfunctional dynamics of an American family with a tragic secret at its heart. Meg Tuite traces girlhood, young womanhood, and the jealous loyalties of sisterhood through a series of 'magpie moments' that are often darkly funny – featuring inedible meatloaf, sloughed skin, mysterious boy-bodies, insurgent underwear, speed-dating with attitude, the street-stomping antics of a wannabe band, and an unnerving collector of American Girl dolls. But the comic coping strategies of children (licking walls, ingesting gym socks, humping stuffed animals) have chronic counterparts in those of adults (alcoholism, prescription drugs). And in the final story, an ageing father reveals a truth that his daughters will forever conceal behind Facebook façades.

‘It begins with a question – What is it that brought us together? – and this brilliant collection answers it with ten stories inhabited by the strain of family, the echo of a house, the shared lives of friends and neighbors. Throughout is the wonder of Tuite’s prose – “The bark of your skin is a train-wreck of beauty.” Readers can feel the deep love that infuses each carefully chosen word, each masterfully crafted story.’

Randall Brown, author of Mad to Live and A Pocket Guide to Flash Fiction, founder and managing editor of Matter Press.

‘Meg Tuite’s Lined Up Like Scars artfully explores the irony, absurdity, tragedy, humor – and somehow, through it all, love – of dysfunctional family dynamics.  The energy of Tuite’s off-kilter, poetic prose dazzles on every page of this fine book.’

Tom Hazuka, editor of Flash Fiction Funny, co-editor of Flash Fiction and Sudden Flash Youth.

‘Meg Tuite’s Lined Up Like Scars is a brave and beautiful book that both stuns and disturbs.’

Sheila O’Connor, author of Where No Gods Came, Tokens of Grace, and Keeping Safe the Stars

‘Meg Tuite is a master music- and metaphor-maker, combining remarkable character complexity with almost impossible compression, as if she’s squeezed a four-hundred-page novel. Once readers have read this collection – in one sitting no less – they’ll be as obsessed with it as I am, reading it again and again and still saying, Did that really just happen?

Lex Williford, author of Macauley’s Thumb, co-editor of Scribner Anthology of Contemporary Short Fiction and Touchstone Anthology of Contemporary Nonfiction.

'With strikingly original language and scenarios, Meg Tuite, in Lined Up Like Scars, mines her characters for brave truths both personal and universal. ‘Did you know there’s a language in Mexico that only two people can speak?’ one of her characters poses. In another story the protagonist is asked if she’s ever ‘smelt lightening’. Fresh words and ideas run through all of these flashes, as Tuite cuts to the heart of what matters. In stories elegantly alive, she explores that uneven terrain we all travel – through life and with each other – where so much is at stake.'

Robert Scotellaro, author of Measuring the Distance and What We Know So Far: Micro Fiction.

For a contents list, click here.       

To order a copy, click here. A 25% discount is available to members of the International Flash Fiction Association.     

Meg Tuite’s writing has appeared in over three hundred literary periodicals, including Amsterdam Quarterly, Berkeley Literary Review, Dr. T.J. Eckleburg Review, Epiphany, Monkeybicycle, Perceptions Magazine, Psychology Today, SmokeLong Quarterly, and Superstition Review. She is author of two short-story collections, Domestic Apparition (San Francisco Bay Press, 2011) and Bound By Blue (Sententia, 2013), and the short collections (fiction and poetry) Disparate Pathos (Monkey Puzzle Press, 2012), Reverberations (Deadley Chaps Press, 2012), Her Skin Is a Costume (Red Bird, 2014), and Grace Notes (Unknown Press, 2015). She won the Twin Antlers Prize for collaborative poetry from Artistically Declined Press for the collection Bare Bulbs Swinging (2014), written with Heather Fowler and Michelle Reale, and has been twice finalist in Glimmer Train’s short-story competition and nominated nine times for the Pushcart Prize.

Meg teaches flash fiction at Santa Fe Community College, New Mexico, is fiction editor at Santa Fe Literary Review, and is a columnist for Connotation Press and the online literary journal jmww.

To read Sean Lovelace’s review in Diagram, 16.1 (21 June 2016), click here.


David Swann, Stronger Faster Shorter: Flash Fictions (2015)      


Imagine you’ve returned from a war to find the soldiers you killed wandering the streets of your home town and sleeping with all the girls you fancy.

The poor old pigeons aren’t having it much easier. They’ve flown back from overseas to discover their coop bolted shut. Word is, the champion fancier has gone down with an allergy to his flock. Word is, the birds’ homing has brought them somewhere strange.

In David Swann’s collection of twenty-five short-short stories, the characters are searching for the things we all crave: a place to be, a use for their time, and that special creature who’ll share the hours with them…

But love’s hard to find when there’s so much fighting. Ask the Iranian with the Frank Sinatra fixation who you’ve just dug up from a flowerbed. Or the fundraisers knocking each other’s lights out at the Annual Party for the Association of Parents of Children with Hand and Arm Deficiencies.

They’re in the wars, for sure. But these people go on dreaming of peace. Take the lonely fruit-picker, living in a caravan far from home. If she opens her hand now, a man will drop a flower from the sky and it will fall into her grasp… Then he’ll fire hot air into his balloon and rise again. And he’ll look down and agree that it’s strange to see your home town like this, that distance makes him fond of its wrecked old streets.

But whenever he lands, he looks at the sky again. And he loves the fruit-picker most when he can’t quite reach her.

‘An essential flash-fiction collection, David Swann’s Stronger Faster Shorter absorbs the dialects, drama and delirium of the real world, but with a taste for the strange, the absurd, and the poetic.’

Holly Howitt, author of Dinner Time, co-editor of Exposure and Other Microfictions and Prose Poems.

‘What a treat it was to find SO many engaging short-short stories gathered together in a single collection. David Swann is a writer who understands life and portrays it in a nuanced way. I was taken at how he has infused his characters and scenarios, within the confines of such tiny spaces, with such depth and compelling moments. I highly recommend Stronger Faster Shorter.’

Robert Scotellaro, author of Measuring the Distance and What We Know So Far: Micro Fiction.

‘David Swann’s flash fictions are marvellous – original, varied, surprising, perfect. If anyone is interested to learn about the form, they could do a lot worse than get hold of this little chapbook and devour it!’

Vanessa Gebbie, author of Words from a Glass Bubble, Storm Warning: Echoes of Conflict, and Ed’s Wife and Other Creatures, editor of Short Circuit: A Guide to the Art of the Short Story.

For a contents list, click here.       

To order a copy, click here. A 25% discount is available to members of the International Flash Fiction Association.           

David Swann was born four doors up the street from the novelist Jeanette Winterson, who scared him stiff with spooky stories. Later, he was given the even more frightening task of reporting on Accrington Stanley’s football matches for the local newspaper. After a three-year stint as a journalist in the Netherlands, he returned to England to take an MA in Creative Writing at Lancaster University, which he passed with Distinction. From 1996 to 1997, he was Writer in Residence at H.M.P. Nottingham Prison. A book based on his experiences in the jail, The Privilege of Rain (Waterloo Press, 2010), was shortlisted for the Ted Hughes Award for New Work in Poetry.

He is currently Senior Lecturer in the Department of English and Creative Writing at the University of Chichester, where he teaches modules on fiction, poetry, and screenwriting. Swann’s short stories and poems have been widely published and won many awards, including six successes at the Bridport Prize and two in the National Poetry Competition. His debut short-story collection, The Last Days of Johnny North, was published by Elastic Press in 2006. In 2013, Swann served as judge for the Bridport Prize’s international flash-fiction competition.

To read Sean Lovelace’s review in Diagram, 15.4 (30 Aug. 2015), click here.

To read Jeanette Sheppard’s review for the Bath Flash Fiction Award (1 Aug. 2016), click here.

To read David Frankel’s ‘An Interview with David Swann’ in Thresholds (5 Oct. 2015), click here.

 

Contact Address

Flash: The International Short-Short Story Press
Department of English
University of Chester
Parkgate Road
Chester CH1 4BJ
UK

Email flash.magazine@chester.ac.uk
Editors Dr Peter Blair       Dr Ashley Chantler