The course is delivered across three, ten-week terms, each term containing modules to the value of 40 credits. Your timetable will schedule in-person sessions each week, amounting to between eight to 12 hours of contact time, and you will be responsible for scheduling self-study time each week of approximately 30 to 34 hours.
If studied, the Foundation Year, as with the following years of study, will be taught in three 10-week blocks across an academic year. Each block will comprise of a large 40-credit subject-specific module that includes a breadth of topics and subject skills. You will have on average 12-14 hours of contact time per week during the Foundation Year. There may be variations to this where subject practical or specialist space teaching is included.
Teaching will be delivered by expert staff who are practising artists and researchers who exhibit and publish at national and international levels. Taught sessions will take the form of lectures and seminars, group and individual tutorials, group crits, silent crits, peer learning, workshop sessions and demonstrations. The nature of Fine Art practice and teaching means that sessions are face-to-face in social learning environments such as the Fine Art studios.
Where appropriate, visiting speakers and guest lecturers will deliver particular sessions bringing further diversity to the course content.
The Fine Art course employs a broad range of assessment methods that are applied to a variety of assessment tasks and outcomes. You are assessed through coursework, there are no written exams.
Studio practice projects and modules will see you developing both supporting artwork and resolved artwork in two and three dimensions, work that is time-based or performative or that is site-specific, site-responsive or installation based.
A Studio Journal (Level 4), Reflective Journal, (Level 5) and Contextual Research Journal, (Level 6) will accompany the Studio Practice, enriching and informing the conversation that surrounds it.
Written work will include essays, journals and reports and some modules have components which are assessed through student presentations.
Assessment is embedded, continuous and authentic. Continuous in as much as formative assessment occurs at regular intervals, whether that be at the end of a project or simply during a tutorial in the studio, with summative assessment at the end of a series of projects or the completion of a module. Assessment is authentic in as much as the premise, language, task, timeframe and output asked of the student replicate those experienced by Fine Artists working professionally.
You are provided with the materials you need to complete all Level 4 studio practice projects. Tools, equipment and equipment consumables are provided by the course. Whilst a range of materials are also provided for Level 5 and 6 students, you may also need to purchase supplementary materials as defined by you and aligned to the necessities of the particular works in question.
Students within Fine Art may be asked to pay a nominal sum, in the region of £30, to secure their place on a residential trip to London, which is otherwise subsidised by the course.
All teaching is delivered by experienced academics and practitioners, with the fundamental principles of the Chester Future Skills Curriculum at its core - building your subject competence, confidence, and key transferable skills to shape you into a world-ready Chester graduate.