Kevin Furlong
Senior Lecturer Graphic Design
Culture and Society Research and Knowledge Exchange Institute
Kevin’s collaborative audio work with Black State Choir and Hal was released between 1986 and 1997 the work was published on Brainwar, Scam, Permis de Construire Deutschland (PDCD), Virgin and WeBite.
Audio Publications
[1987], “Jihad”, Black State Choir, Brainwar, Antler Records, Belgium
[1988], “Bogurodzica”, Black State Choir, Antler Records, Belgium
[1989], “Akuku”, Black State Choir, Scam Records, England
[1989], “Hardshell Preacher”, Black State Choir, Scam Records, England
[1994], “Permaculture”, Black State Choir, Permis de Construire, Deutschland
[1995], “Pachakuti”, Black State Choir, Permis de Construire, Deutschland
[1996], “Gorilla Conspiration 12345678”, Hal, Permis de Construire, Deutschland
[1997], “Extremis”, Hal, Virgin, England
[1997], “Poetomachia”, Black State Choir, WeBite, Germany
[1998], “Hope”, Zero, Audio Research Editions, England
[1999], “Myam”, “Trace”, Audio Research Editions, England
[2000], “Barobsolete” “Zero”, Audio Research Editions, England
[2013], "Freqtonic" [EP], Zeronoise, Spaceships Over Deeside, Wales
[2014], "Zoo" [EP], Zeronoise, Freqtonic, England
[2014], "xone" [EP], Zeronoise, England
[2014]. "esker" [EP], Zeronoise, SpeyeshipTransmissions, Wales
Collaborative Television
[1997], Title music, “Extrema” for BBC1 TV series, “Future Fantastic”, England
[1997], Video Screening, “Extremis”, MTV, England
Collaborative Radio Performance
[1986], “On the Wire” BBC Radio Lancashire, England
[1989], “The Works” BBC Radio3, England
[1993], “Mixing it” BBC Radio3, England
[1993], produced and presented “Signals from the Ether” for “Freedom fm” [Chester]
[1994], “On the Wire” BBC Radio Lancashire, England
[1995], produced and presented “Signals from the Ether” for “Festival fm” [Chester]
[1997], produced and presented “Signals from the Ether” & “Kzero”. Produced “ArtShed” for “On the Fringe” [Chester]
Solo, Collaborative, Multimedia and Online Exhibitions
[1986], Sound Performance, “The Sun at Night”, “Thrash Culture”, Cafe Berlin, Liverpool, England
[1986], Sound & film performance and installation, “The Beamish Complex”, and “Thrash Culture”, The Golden Square, Warrington, England
[1987], Sound Performance, “Earthbeat” Festival, “Thrash Culture”, Sefton Park, Liverpool, England
[1988], Sound and film performance, “Black State Choir”, The International, Manchester, England
[1988], Sound and film performance, “Black State Choir”, The Riverside, Newcastle-Upon-Tyne, England
[1995], Sound designer for design production team that created a CD ROM illustration of the Sigmar Polke exhibition at the Tate Gallery Liverpool, England
[1996], Video Screening, “Epizootie” and “Bacon Bread and Bouncers”, Hope Street Gallery, Liverpool, England
[1997], Interactive Sound Installation, “EmptyVessals”, Hope Street Gallery, Liverpool, England
[1998], Video Screening, “Epizootie” and “A Crook, a Sheaf, a Life and a Mother”, North x Northwest - Independent Film Festival 1998, Liverpool, England
[1998], Sound Installation, International Symposium on Electronic Art (ISEA 98), “ZeroHope”, Hope Street Gallery, Liverpool, England
[2000], British Council Exhibition of film script for, “Rewind - Deep is the Sound” at the Melbourne Subway, Australia
[2000], Video Screening, “Rewind - Deep is the Sound”, Sunday Shorts, Bar Centro, Manchester, England
[2000], Sound Installation, Video Positive Festival, “Zero” “BarObsolete”, Bluecoat Gallery, Liverpool, England
[2000], Sound Performance, “This is Recording”, Liverpool Anglican Cathedral, Liverpool, England
[2007], Video screening for the “RepeatRepeat” conference at the University of Chester, England
[2009], Sound Performance, “EarthTrigger” at the “Silence” Conference, University of Chester, England
[2010], Sound Installation, “This is Recorded”, The Cube Gallery, Manchester, England
[2014], "ZeroConversation", a collaborative online photography exhibition with Huw Williams
MA Multimedia, PGCE , BA (Hons) Graphic Design.